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By, Dan Perttu


Please join me as I talk with violin soloist Holly Mulcahy, who is also concertmaster of the Wichita Symphony, about her work in audience engagement. Holly discusses her background coming from a family that was not deeply into "classical" music and how this informs her approach to making classical music accessible. She highlights the importance of inviting non-musical families to concerts and providing value beyond just performance. We also talk about her super-popular Rose of Sonora violin concerto, which combines film narrative with live performance, and her collaboration with Dan on the Stealing from Birds concerto, which incorporates bird calls and themes into the fabric of the piece.


Photo by Todd Rosenberg

 
 
 

By, Dan Perttu


Please join me as I talk with Michael O'Neal, founder and artistic director of The Michael O'Neal Singers, and Reece Windjack, the ensemble’s assistant and cover conductor, about what inspires them in their work. Michael reflects on formative influences from Leonard Bernstein and Robert Shaw, emphasizing storytelling, preparedness, and connecting deeply with audiences. Reece brings a Gen Z perspective, highlighting mentorship, diverse repertoire, and the role of choral music in fostering possibility and community. Together, they discuss championing living composers, reimagining classics, and shaping the future of live performance in a post-pandemic world.




 
 
 

By, Dan Perttu


Please join me as I talk with Larry Loh, Music Director of the Waco Symphony and Conductor Laureate of the Syracuse Orchestra, who shares what inspires him on the podium. We explore how narrative elements help audiences connect with new music, the influences of film scoring, and the challenges of programming contemporary works in traditional concert settings. Included also are insights on engaging audiences through pre-concert talks and demos.



 
 
 

© 2017-25 by Daniel Perttu. 

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